It’s Curtains for Drapery Doll

It’s Curtains for Drapery Doll

More whimsy from Black Lightning creator Tony Isabella—who is confronting “ghostly evil” in real life by running for office!

 

Art by John Prentice from the story “Bedeviled” in First Love Illustrated #69, Oct. 1956.

 

SCENE:

SCENE: Woman in a costume (trapeze artist or superhero, take your pick!) is on a stage. She appears to be doing a shimmy with a bunch of cloth behind her posterior. An appreciative audience looks on.

CAPTION: By day, Marissa’s the host of HGTV’s hit series Haunted House Renovation.
CAPTION: By night, she dons her mystic drapery to confront ghostly evil as…
CAPTION: Drapery Doll, the Material Girl Who Closes the Curtains on Evil!*
CAPTION: *Okay, well, she’s still working on her hero name. All the good ones have been taken.

1956 Art: John Prentice Color: Diego Jourdan Pereira
Guest Writer: Tony Isabella

Art by John Prentice from the story “Bedeviled” in First Love Illustrated #69, Oct. 1956.

↓ Transcript
SCENE: Woman in a costume (trapeze artist or superhero, take your pick!) is on a stage. She appears to be doing a shimmy with a bunch of cloth behind her posterior. An appreciative audience looks on.

CAPTION: By day, Marissa’s the host of HGTV’s hit series Haunted House Renovation.
CAPTION: By night, she dons her mystic drapery to confront ghostly evil as…
CAPTION: Drapery Doll, the Material Girl Who Closes the Curtains on Evil!*
CAPTION: *Okay, well, she’s still working on her hero name. All the good ones have been taken.

1956 Art: John Prentice Color: Diego Jourdan Pereira
Guest Writer: Tony Isabella

Art by John Prentice from the story "Bedeviled" in First Love Illustrated #69, Oct. 1956.


Medium Rare Maid

Medium Rare Maid

Vintage art & text

Art by Nick Cardy from “Good-Time Girl” in My Real Love #5, 1952.

 

 

Transcript:
SCENE: Woman holding her right hand, forefinger to her temple.
CAPTION: Medium Rare Maid (aka “The Clairvoyant Cutie”) must use her mysterious, mental powers to catch the craven culprit who killed Colonel Mustard in the
library with a “cattle prod!”*
CAPTION: *It wasn’t a sex toy–honest!
WOMAN: I sense the suspect’s obsessed with sex! So that narrows it down to…
WOMAN: <Gulp>
WOMAN: …everyone!

1952 Art: Nick Cardy New Inking & Color: Allen Freeman
MyRL5.6.1.7

 

↓ Transcript
Transcript:
SCENE: Woman holding her right hand, forefinger to her temple.
CAPTION: Medium Rare Maid (aka “The Clairvoyant Cutie”) must use her mysterious, mental powers to catch the craven culprit who killed Colonel Mustard in the
library with a “cattle prod!”*
CAPTION: *It wasn’t a sex toy--honest!
WOMAN: I sense the suspect’s obsessed with sex! So that narrows it down to...
WOMAN: <Gulp>
WOMAN: …everyone!

1952 Art: Nick Cardy New Inking & Color: Allen Freeman
MyRL5.6.1.7


Super Booty Call

Super Booty Call

Today's Last Kiss: Booty Call from Her Se-Xman

For those of you who don’t read comics (or minds), Charles Xavier is “Professor X”—the telepathic leader of Marvel’s mutant X-Men.

Not that this is a test, but—bonus points if you know why the woman in today’s Last Kiss comic can’t be writer Tony Isabella’s Marvel character Misty Knight.

Pencils by Mike Sekowsky from the story “Date with Scandal” Pencils in Intimate Love #28, Aug. 1954.

 

 

Transcript:

SCENE: Woman holding her hand up to her forehead.

WOMAN (thinks): What an incredible telepathic booty call! Maybe this long-distance thing…with Charles Xavier…can work out after all!

1954 Art: Mike Sekowsky Color: Diego Jourdan Pereira
Guest Writer: Tony Isabella

DJP.lk453

Pencils by Mike Sekowsky from the story “Date with Scandal” Pencils in Intimate Love #28, Aug. 1954.

↓ Transcript
SCENE: Woman holding her hand up to her forehead.

WOMAN (thinks): What an incredible telepathic booty call! Maybe this long-distance thing...with Charles Xavier...can work out after all!

1954 Art: Mike Sekowsky Color: Diego Jourdan Pereira
Guest Writer: Tony Isabella

DJP.lk453

Pencils by Mike Sekowsky from the story "Date with Scandal" Pencils in Intimate Love #28, Aug. 1954.

Someday Somehow Someway

Someday Somehow Someway

Art by Lee Elias for Hi-School Romance #23 – Oct. 1953.

 

 

Transcript:

SCENE: A woman is crying in the background as another woman and a man sit and kiss on the grass in the foreground.

CRYING WOMAN (thinking): I’ll never give up on my dream! Someday I’ll be in the fore-ground…of a Last Kiss cartoon!

1953 Art: Lee Elias Color: Diego Jourdan Pereira
Guest Writer: Tony Isabella

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↓ Transcript
SCENE: A woman is crying in the background as another woman and a man sit and kiss on the grass in the foreground.

CRYING WOMAN (thinking): I’ll never give up on my dream! Someday I’ll be in the fore-ground...of a Last Kiss cartoon!

1953 Art: Lee Elias Color: Diego Jourdan Pereira
Guest Writer: Tony Isabella

DJP.lk473

Comic Book Eyes

Comic Book Eyes

I’ll admit Tony Isabella‘s gag in today’s comic made me laugh out loud. (I might have even giggled.)

Having spent much of my adult life working in the comic book biz, I’m not exactly a stranger to the tendency for comic artists to emphasize the way most super heroines fill out the top half of their costumes.

The most obvious example of this is Power Girl. According to comic book lore, Power Girl’s co-creator Wally Wood bet a studio mate that he could draw Power Girl with a bigger chest each issue and that editors at DC Comics would never notice or object. They didn’t.

Original art featuring Power Girl drawn by Wally Wood in All-Star Comics #65, 1977.

 

Art by Charles Nicholas & Vince Alascia from the story “One Too Many Heartbreaks” in FIRST KISS #39, 1964.

 

Transcript:

SCENE: Woman talking to a male artist who is sitting and drawing at his drawing board.

WOMAN: Hey, mister, my eyes are up here!

ARTIST: Listen, babe, if I wanted to draw your eyes…I wouldn’t have become a comic-book artist!

1964 Art: Charles Nicholas & Vince Alascia Color: Diego Jourdan Pereira Guest Writer: Tony Isabella

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Art by Charles Nicholas & Vince Alascia from the story “One Too Many Heartbreaks” in FIRST KISS #39, 1964.

↓ Transcript
SCENE: Woman talking to a male artist who is sitting and drawing at his drawing board.

WOMAN: Hey, mister, my eyes are up here!

ARTIST: Listen, babe, if I wanted to draw your eyes...I wouldn’t have become a comic-book artist!

1964 Art: Charles Nicholas & Vince Alascia Color: Diego Jourdan Pereira Guest Writer: Tony Isabella

DJP.lk410
Art by Charles Nicholas & Vince Alascia from the story "One Too Many Heartbreaks" in FIRST KISS #39, 1964.