Sex with You Is the Pits!

Sex with You Is the Pits!

Another great Tony Isabella gag!

Art by Bill Ward from Torchy #4, May 1950

 

 

 

↓ Transcript
SCENE: Male doctor is leering at a skimpily-dressed young woman who has her arms raised up and her chest pushed forward. And, yes, her armpits are exposed.

WOMAN: Look at his eyes popping out! No man can resist...my sexy pits!

1950 Art: Bill Ward Color: Diego Jourdan Pereira
Writer: Tony Isabella

DJP.lk622

My Vast Comic Book Fortune

My Vast Comic Book Fortune

Yes, this is the third Tony Isabella gag I’ve used in a row! Not enough Tony for you? On Wednesday let’s make it four!

Art by Dick Giordano from Secrets of Young Brides #37, 1963. (Scanned from a photostat of the original black & white line art.)

 

Transcript:

SCENE: In the foreground, U.S. dollar bills of various denominations fly through the air. In the background, a man speaks angrily to a woman.

MAN: Are you insane? You sold my comic-book collection and this was all you got? Those comics were worth millions! Thousands! Hundreds! I’m just going to go to the comic shop, okay?

1963 Art: Dick Giordano Color: Diego Jourdan Pereira
Writer: Tony Isabella

DJP.lk605 Secrets of Young Brides #37

↓ Transcript
SCENE: In the foreground, U.S. dollar bills of various denominations fly through the air. In the background, a man speaks angrily to a woman.

MAN: Are you insane? You sold my comic-book collection and this was all you got? Those comics were worth millions! Thousands! Hundreds! I'm just going to go to the comic shop, okay?

1963 Art: Dick Giordano Color: Diego Jourdan Pereira
Writer: Tony Isabella

DJP.lk605 Secrets of Young Brides #37

No Escape from Love

No Escape from Love

A pulsating parable of pen-itentiary pals by prisoner of pun Tony Isabella.

Original Art:

Pencils by Matt Baker from Journey Into Fear #1, May 1951.

 

 

 

Transcript:

Scene: A male prisoner is carrying an unconscious woman in his arms and away from a large building (a prison?) in the background.

MAN (thinking): I saved the warden from the riot and got her to safety! But even if this wins me parole…I’ll never be free! I’m a prisoner of love!

CAPTION: It was always just a matter of time before Tony’s love of Mel Brooks would get “Last Kiss” into legal trouble.

1951 Pencils: Mat Baker
Color: Diego Jourdan Pereira
Writer: Tony Isabella

DJP.lk616 Journey Into Fear 1_10

↓ Transcript
Scene: A male prisoner is carrying an unconscious woman in his arms and away from a large building (a prison?) in the background.

MAN (thinking): I saved the warden from the riot and got her to safety! But even if this wins me parole...I’ll never be free! I’m a prisoner of love!

CAPTION: It was always just a matter of time before Tony’s love of Mel Brooks would get “Last Kiss” into legal trouble.

1951 Pencils: Mat Baker
Color: Diego Jourdan Pereira
Writer: Tony Isabella

DJP.lk616 Journey Into Fear 1_10

Rest? Stop!

Rest? Stop!

Okay. I’ll admit it. I’ve given Tony Isabella permission to write about my sex life.

I think Tony’s doing a bang up job so far. And remember—it’s all true. Except for the parts we made up.

Original Art:

Art by Art Saaf & Mike Peppe from the story “Kiss and Run” in NEW ROMANCES #14, 1952. (Scanned from the original black & white line art.)

 

 

 

Transcript:

SCENE: Man in foreground seems oblivious as three women talk about him in the background.

WOMAN #1: It’s settled! I get him Monday and Wednesday while Pepper gets him Tuesday and Thursday.

WOMAN #2: And I get him on Friday and Saturday.

WOMAN #3: Why do you get him two nights in a row?

WOMAN #2: Because after two nights with me…that boy is gonna need a day of rest!

1952 Art: Art Saaf & Mike Peppe Color: Diego Jourdan Pereira
Writer: Tony Isabella

DJP.lk596 KissAndRun1.3.gif

 

↓ Transcript
SCENE: Man in foreground seems oblivious as three women talk about him in the background.

WOMAN #1: It’s settled! I get him Monday and Wednesday while Pepper gets him Tuesday and Thursday.

WOMAN #2: And I get him on Friday and Saturday.

WOMAN #3: Why do you get him two nights in a row?

WOMAN #2: Because after two nights with me...that boy is gonna need a day of rest!

1952 Art: Art Saaf & Mike Peppe Color: Diego Jourdan Pereira
Writer: Tony Isabella

DJP.lk596 KissAndRun1.3.gif


Home on the Strange

Home on the Strange

Many thanks to Ron Evry and Bruce Simon for permission to use art from one of their fine collections of J.R. Williams’ comics:  Hoo-Hah! Out Our Way – The Poetry of J. R. Williams

Original Art

 

 

Transcript:

Scene: Two cowboys riding their horses slowly by a pond. In the background two rabbits run in a field.

COWBOY #1 (sings): Home, home on the range! where the west is wild! and the sex is strange! Oh, if I had brains,I’d come home from the range…and sing soprano after a sex change!

COWBOY #2 (thinks): *

RABBIT #1 (thinks): **

CAPTION: *Thank God I’m too deaf to hear any of this!

CAPTION: **Run away! Run away!

Vintage Art: J.R. Williams New Dialogue: John Lustig
Art from Bruce Simon’s & Ron Evry’sbook:
Hoo-Hah! Out Our Way: The Poetry of J.R. Williams

The Poetry of J.R. Williams-0038

↓ Transcript
Scene: Two cowboys riding their horses slowly by a pond. In the background two rabbits run in a field.

COWBOY #1 (sings): Home, home on the range! where the west is wild! and the sex is strange! Oh, if I had brains,I’d come home from the range...and sing soprano after a sex change!

COWBOY #2 (thinks): *

RABBIT #1 (thinks): **

CAPTION: *Thank God I’m too deaf to hear any of this!

CAPTION: **Run away! Run away!

Vintage Art: J.R. Williams New Dialogue: John Lustig
Art from Bruce Simon’s & Ron Evry’sbook:
Hoo-Hah! Out Our Way: The Poetry of J.R. Williams

The Poetry of J.R. Williams-0038