Holy Lust

Holy Lust

Today’s divine humor courtesy of Tony Isabella.

Art by Dick Giordano & Vince Alascia from the story “The Big Meet” in FRANK MERRIWELL AT YALE #2, Aug. 1955.

 

Transcript:

SCENE: A stout, middle-aged (or older) man with a cane.

MAN: Mrs. Burnside, must we play “The Randy Vicar and the Saucy Churchwoman” every evening?

Mrs. Burnside (speaking from off panel): Well, my dear Cedric, since you are actually a randy vicar……and I am decidedly
a very saucy church-woman…

MAN: Quite so, Miranda. But be sure to lock the rectory door behind us. We wouldn’t want the choirmaster to walk in on us…again!

1955 Art: Dick Giordano & Vince Alascia Color: Diego Jourdan Pereira
Guest Writer: Tony Isabella

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↓ Transcript
SCENE: A stout, middle-aged (or older) man with a cane.

MAN: Mrs. Burnside, must we play “The Randy Vicar and the Saucy Churchwoman” every evening?

Mrs. Burnside (speaking from off panel): Well, my dear Cedric, since you are actually a randy vicar......and I am decidedly
a very saucy church-woman...

MAN: Quite so, Miranda. But be sure to lock the rectory door behind us. We wouldn't want the choirmaster to walk in on us...again!

1955 Art: Dick Giordano & Vince Alascia Color: Diego Jourdan Pereira
Guest Writer: Tony Isabella

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Heavy Petting

Heavy Petting

In the jungle, the mighty jungle The lion sleeps tonight…in your bed. Look out!

Art by Jack Kamen from Rulah, Jungle Goddess #1, Dec. 1948.

 

 

 

Transcript:

SCENE: Rulah, knife out and ready to strike, jumps to intercept a lion which is about to attack another woman.

RULAH: I warned you! Lions aren’t pets!

OTHER WOMAN: I know! I know! Cleaning their cat box is…insane!

1948 Art: Jack Kamen New Dialogue John Lustig
Restoration & New Dialogue: John Lustig

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↓ Transcript
SCENE: Rulah, knife out and ready to strike, jumps to intercept a lion which is about to attack another woman.

RULAH: I warned you! Lions aren’t pets!

OTHER WOMAN: I know! I know! Cleaning their cat box is...insane!

1948 Art: Jack Kamen New Dialogue John Lustig
Restoration & New Dialogue: John Lustig

Rulah21


Am I Turned On?

Am I Turned On?

Artist unknown, but may be Matt Baker. From the story “Second Best Beau” in Hi-School Romance #75, Nov. 1958.

 

 

Transcript:

WOMAN (thinking): Is that a man? or A woman? Am I turned on? Or…no! I’m definitely turned on!

1958 Art: Artist unknown, but might be Matt Baker
Color: Diego Jourdan Pereira

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↓ Transcript
WOMAN (thinking): Is that a man? or A woman? Am I turned on? Or…no! I’m definitely turned on!

1958 Art: Artist unknown, but might be Matt Baker
Color: Diego Jourdan Pereira

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50 Shades for Dummies

50 Shades for Dummies

Hot, brilliant humor for cool, smart readers (and room-temperature dummies) courtesy of Tony Isabella.

Art by the Vince Colletta Studio from the story “Teach Me, My Love” in FIRST KISS #29, 1962.

 

Transcript:

SCENE: Woman talking to her personal mannequin (Molly Mannequin.) In panels on each side of the main panel we see store mannequins.

WOMAN: Oh, my dear Molly Mannequin. Sheltering at home with you has been wonderful. Tonight, let’s read another chapter of Fifty Shades of Off-Color. I hope *giggle* you don’t blush easily.

Molly Mannequin (thinking): Where’s a woodchipper when you need one? I miss my friends at Macy’s.

1962 Art: Vince Colletta Studio Color: Diego Jourdan Pereira
Guest Writer & Dummy Dialogue Coach: Tony Isabella

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↓ Transcript
SCENE: Woman talking to her personal mannequin (Molly Mannequin.) In panels on each side of the main panel we see store mannequins.

WOMAN: Oh, my dear Molly Mannequin. Sheltering at home with you has been wonderful. Tonight, let’s read another chapter of Fifty Shades of Off-Color. I hope *giggle* you don’t blush easily.

Molly Mannequin (thinking): Where’s a woodchipper when you need one? I miss my friends at Macy’s.

1962 Art: Vince Colletta Studio Color: Diego Jourdan Pereira
Guest Writer & Dummy Dialogue Coach: Tony Isabella

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Hey, Give Me Credit

Hey, Give Me Credit

Art by Dick Giordano from the story “Last Paradise” from Intimate #3, 1958.

 

 

Transcript:

SCENE: Woman pushes away in alarm from a man.

MAN: Of course I didn’t max out all the credit cards! I saved one for our old age!

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↓ Transcript
SCENE: Woman pushes away in alarm from a man.

MAN: Of course I didn’t max out all the credit cards! I saved one for our old age!

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